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Raising Sand

(more) »rank: 42

from: Rounder


Our review:Album Description:The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution. Supported by the unparalleled musicianship of ...


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O Brother, Where Art Thou?

(more) »rank: 336

from: Buena Vista Pictures


Our review: 's Best of 2001:The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of ...


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The Definitive Collection

(more) »rank: 1721

by: Muddy Waters


Our review: 's Best of 2001:The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of ...


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Dona Got a Ramblin Mind

(more) »rank: 3060

by: Carolina Chocolate Drops


Our review:Album Description:AS HEARD ON NPR! 'Even though the music's being played right in front of you, you expect to hear crackles and hisses as if the sounds were being torn from a salvaged 78.' - Independent Weekly Terrific renditions of old-time classics from the Carolina Chocolate Drops as they reclaim their African American NC Piedmont string band musical traditions! This young group is the hottest thing to hit the old-time music community in decades, and have grabbed the attention of folks like Taj Mahal, Mike Seeger, Alice Gerrard, and John Sebastian.


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Lady Day: The Best of Billie Holiday

(more) »rank: 1635

by: Billie Holiday


Our review:Album Description:Lady Day: The Best Of Billie Holiday is an ideal introduction to the Voice of Jazz in all its enduring glory. This incomparable collection draws on the 10-CD boxed set Lady Day: The Complete Billie Holiday on Columbia (1933-1944) (CXK 85470), representing not only her finest work, but American jazz and pop singing at its zenith. Accompanied sublimely by a Who's Who of the Swing Era (including her soulmate Lester Young, Benny Goodman, Artie Shaw, Buck Clayton, Roy Eldridge, Ben Webster, Johnny Hodges, Harry Carney, Jo Jones, and pianist-arranger Teddy Wilson, who was often at the helm when Holiday entered the studio), ...


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Hoodoo Man Blues

(more) »rank: 1945

by: Junior Wells


Our review: essential recording:This 1965 album is where vocalist and harmonica player Junior Wells comes into his own. An early collaboration with Buddy Guy, the two of them sum up the 1960s funk-rock-blues that lay ahead. Hoodoo Man Blues inspired Paul Butterfield, Eric Clapton, and a host of other musician-fans. Wells and Guy don't shy from creating James Brown-funkified blues, or from putting a rock edge to their blues; but neither do they shy from traditional blues. Their version of 'Good Morning Little School Girl' is a proper update--still menacing, with less of a country blues feel. Also not to be missed is the ...


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The Complete Recordings

(more) »rank: 2373

by: Robert Johnson


Our review: :This two-CD box contains all 41 recordings Johnson made, including 12 alternate takes, and each cut remains a classic. This set's release in 1990 caused quite a stir, selling more than 500,000 copies, and, on the basis of endorsements from Eric Clapton and Keith Richards, introduced a great number of rock fans to Delta blues. Amazingly, Johnson built his enormous legacy on the strength of just two recording sessions: the first session, in November of 1936, produced among others 'I Believe I'll Dust My Broom,' 'Sweet Home Chicago,' 'Cross Road Blues,' and 'Walkin' Blues,' making it perhaps the most influential single session in ...


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Anthology Of American Folk Music (Edited By Harry Smith)

(more) »rank: 1899

by: Various Artists


Our review:Album Description:This deluxe 6-CD collector's boxed set contains a 96-page book featuring Harry Smith's original songbook framed by essays by Greil Marcus and other noted writers, musicians, and scholars. Play the enhanced sixth disc on your CD-ROM drive and access historic video footage, rare photos, artist interviews, and additional background information. Edited by Harry Smith. Reissue compiled by the staff of Smithsonian Folkways. Reissue liner notes by Greil Marcus, Neil Rosenberg, Jeff Place, Jon Pankake, Luis Kemnitzer and others. '...the missing link in rock's official history.' -Newsweek ***** (five stars) -Rolling Stone :This impressive--and frankly, fun--musical document is still sending out shock waves ...


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Come on In

(more) »rank: 8321

by: R. L. Burnside


Our review: :Now, here's what you call a break from tradition. After bridging the gap between punk and blues on his collaboration with the Jon Spencer Blues Explosion, A Ass Pocket of Whiskey, Mississippi bluesman R.L. Burnside ventures into the world of beats and grooves with Come On In, a series of remix projects with producer Tom Rothrock (Beck, Foo Fighters). The cynics among you may smell opportunism, but Rothrock is sensitive and respectful enough to Burnside's originals to do them proper justice. Even the 4/4 high hat and filtered sound effects of 'Rollin' Tumblin'' sound appropriate to the music at hand. Though these treatments--largely ...


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The Definitive Collection

(more) »rank: 3455

by: Howlin' Wolf


Our review: :Now, here's what you call a break from tradition. After bridging the gap between punk and blues on his collaboration with the Jon Spencer Blues Explosion, A Ass Pocket of Whiskey, Mississippi bluesman R.L. Burnside ventures into the world of beats and grooves with Come On In, a series of remix projects with producer Tom Rothrock (Beck, Foo Fighters). The cynics among you may smell opportunism, but Rothrock is sensitive and respectful enough to Burnside's originals to do them proper justice. Even the 4/4 high hat and filtered sound effects of 'Rollin' Tumblin'' sound appropriate to the music at hand. Though these treatments--largely ...


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